
Truesdale says, “The transition from instrument to idol is subtle and deadly. Usually, we don’t see it coming” (58). Those words form the foundation of this chapter about Hezekiah and his on religious reform. Often, though, religious reform becomes difficult and painful. It sometimes requires changes that folks aren’t willing to make. And sometimes it requires changes that are so radical that it seems like something essential is being destroyed.
In this chapter, from the perspective of a successful businessman, we can see one such radical call to change that Hezekiah intends to bring about. He was going to destroy an idol. But not a pagan idol of Baal or Asherah, this was something from their past given to them by Yahweh. And the people weren’t happy about it. In their mind, Hezekiah intention was “to disrupt our sacred past, to destroy something essential for our worship of Yahweh” (63). By destroying the bronze serpent Moses fashioned in the Wilderness wandering, Hezekiah was destroying “an irreplaceable reminder of God’s presence and guidance, a sure sign of his salvation” (64). But Hezekiah tells the people that the bronze serpent is at the center of their transgression (66), that they had turned “what was supposed to be a transparent sign [into] a concrete idol” (67).
Once again it seems the meaning is ostensible for the church today, poignantly reflected in the cracks of division that appear along pressure points where past and future converge in the struggle for new and germane meaning. Too easily we can turn transparent signs into concrete idols. Think about some of those things from our “sacred past” that have been for us signs of God’s salvation. Now think about the ways we tend to turn those signs into objects of worship.



